
"We estimate that collectively we served and informed 10 times as many individuals by embracing an open strategy. That’s hundreds of thousands of people. And it validates the Bloomberg administration’s commitment to this technology.”-NYC Chief Digital Officer Rachel Haot"

For more context, read about how public open government data feeds become critical infrastructure during natural disasters.
Hurricane Sandy, Open Data and Social Media | Open Government Blog
(via oreillyradar)
(via oreillyradar)
Through his work and successes at Indaba, Jeremy was asked to produce music for movie & TV star Joseph Gordon-Levitt’s production company, as well as for Grammy-winning rapper/producer Missy Elliot. Work which only a year earlier seemed as far fetched as time travel.
There are now hundreds of radiation-related feeds from Japan on Pachube, monitoring conditions in realtime and underpinning more than half a dozen incredibly valuable applications built by people around the world. They combine ‘official’ data, ‘unofficial’ official data, and, most importantly to us,realtime networked geiger counter measurements contributed by concerned citizens. Now we’re even seeing some tracking radiation measurements of tap water.
This is so cool. Gotye remixes the remixes of his hit song:
Reluctant as I am to add to the mountain of interpretations of Somebody That I Used To Know seemingly taking over their own area of the internet, I couldn’t resist the massive remixability that such a large, varied yet connected bundle of source material offered.
I was directly inspired here by Kutiman’s Thru-You project:
http://www.youtube.com/watch?v=tprMEs-zfQA
Wonderful stuff!
Thankyou to everyone who has responded to Somebody That I Used To Know via YouTube. It’s truly amazing!
All audio and video in Somebodies is from the YouTube user videos featured, each of them a cover or parody of Somebody That I Used To Know. No extra sounds were added to the mix, but I used some EQ, filtering, pitch-shifting and time-stretching to make the music.
A full list of links to the original videos is available here:
http://www.gotye.com/#blog.html
I avoided using any existing remixes of the song, or any covers from tv talent shows.
As comprehensive and extensive as I tried to be with my downloading of source videos, I know there are many clips that I missed.
I used Ableton Live for audio stretching, pitch-shifting and the initial video editing, and Adobe’s After Effects to put the final video together.
Big thanks to Travis Banko for assistance with downloading source videos, and to James Bryans for After Effects tutelage.
Thankyou to Barry for being Barry, and guiding us all.
Thanks to you for listening
Wally
Gotye - Somebodies: A YouTube Orchestra (by gotyemusic)
"This year, he made $100,000 teaching on Skillshare, including $25,000 in the month of June alone."
"Making my shows affordable has always been my goal but two things have always worked against that. High ticket charges and ticket re-sellers marking up the prices. Some ticketing services charge more than 40% over the ticket price and, ironically, the lower I’ve made my ticket prices, the more scalpers have bought them up, so the more fans have paid for a lot of my tickets.
By selling the tickets exclusively on my site, I’ve cut the ticket charges way down and absorbed them into the ticket price. To buy a ticket, you join NOTHING. Just use your credit card and buy the damn thing. opt in to the email list if you want, and you’ll only get emails from me."